Say hello to Susan Edwards
Hesitant footsteps on the stairs, laboured; one creak, then a pause, then another – like someone carrying a heavy load.
The shuffle of feet outside the door; a key, turning in a lock – a rasping clunk as it is pulled out.
The squeak of the handle, the hiss of wood gliding over carpet, and the sense that someone is standing behind her.
She doesn’t turn.
After all, who else is it going to be?
She has stayed all day in the tiny flat, pokier even than their former home in Dagenham. The floors squeak when you walk around and the whole floor in the living room sinks into a corner. If you happened to drop a ball on the floor it would naturally roll towards it.
She is slight – not short but slump-shouldered, which are slender and sagged.A Garden of Bones
The attic rooms drop in the corners, bend in the walls, and have windows jutting upwards in a failed attempt to make more space, like an afterthought.
She looks out over the skyline, almost Russian in its multi-coloured and domed splendor, every now and then.
She wanders a lot. She wanders and looks at her watch. She clutches her hands, rubs them together a lot – so bad that she has to use cream to soften them – like there’s blood on them, like a bashful Lady Macbeth.
She is slight – not short but slump-shouldered, which are slender and sagged.
Her hair is grey and forgotten, like she has been cutting it herself, and she wears no make-up. She has no need.
Her clothes are dour and shabby – an old green cardigan over her shoulders, plain cream trousers and a round-necked top of an indeterminable shade of white.
She wears no jewellery.
She never has.
There is no TV, and she couldn’t understand it even if there was. They have a small radio – good enough to give them a crackly rendition of the World Service.
There is also no TV because there is no money – what little pot they had has now dwindled
to a pocketful of coppers.